That ultimately was overcome because of the musician’s ability to play things by ear.
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There were specific music cues and arrangements that became a challenge during recordings since many of the musicians didn’t know how to read music. “I think we re-created a sonic landscape that smelt like Mexico,” said Camilo Lara, a Mexican DJ and music consultant on the film.
“There are varied ensembles that play like trios to full bands.”Ī lot of the source music consisted of these street musicians that were brought into local studios in Mexico to record some of their familiar tunes that included a variety of Mexican folk music that’s instantly recognizable when you hear it. “Music lives on the streets in Mexico,” said Germaine Franco, the orchestrator on the film. For all the music, Molina and team consulted with musicians from all over Mexico to ensure that, just like the rest of the film, everything was culturally authentic to the story. That language comes in three different types of music that make up the music of “Coco”: Source music, score music, and original songs. The “singer” in this narrative is the film’s main character named Miguel. To be clear, the music in “Coco” aren’t show tunes, but music that has been carefully crafted to help tell the story about this particular Hispanic culture. He was just short of saying that this would be Pixar’s first “musical” film, but the rest of the presentation did more than enough to express his statement.
“This is probably the most music-oriented film we’ve ever done,” said co-director Adrian Molina during that presentation. That focus on music extended all the way to the early press day that we attended late last month, where our first presentation of the day was all about the film’s musical elements.
If you’ve seen the teasers and trailers for Pixar’s “ Coco,” you could probably tell that apart from the having part of the film centered around the concept of death, a whole lot more is focused on music.
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